2019 Ph.D. Brown University Computer Music and Multimedia Composition
2019 M.A. Brown University Modern Culture and Media
2014 M.A. Brown University Computer Music and Multimedia Composition
2011 B.A. Oberlin College Musical Studies - Technology in Music & Related Arts
2019- Bates College Assistant Professor, Department of Music
2017 RISD D+M Adjunct Instructor, Digital + Media Department
ART AWARDS & RESIDENCIES
2019 Foundation for Emerging Technologies and Arts (FETA): Sound Art Prize Finalist
2019 Media Archeology Lab | Boulder, CO: Artist Residency
2018 Mount Holyoke College | Holyoke, MA: Visiting Artist
2018 Wheaton College | Wheaton MA: Evelyn Danzig Haas Visiting Artist
2018 Perte de Signal | Montreal CA: Artist Residency
2017 Le Laboratoire ArtScience Converged: Commission
2013 I-Park Foundation | East Haddam CT : Artist Residency
“Sonic Activism in the Integrated Circuit.” Feminist Review. Special Issue: Sonic Cyberfeminisms. ed. M. Thompson, A. Goh. 2021.
Book Review: “Switched on Bach, by Roshanek Kheshti & Wendy Carlos: A Biography, by Amanda Sewell.” Journal of Popular Music Studies. ed. D. Suisman, A.Vesey. 2021.
“Muffwiggler: Sexism in Audio Culture.” Bluestockings Magazine. 2014.
CONFERENCE / SYMPOSIUM PRESENTATIONS
“Resisting Normative Logics in Modular Interfaces.” Sound Instruments and Sonic Cultures: An Interdisciplinary Conference. At The National Science and Media Museum, Bradford, UK: December 12-18, 2020.
“Engendering a More Inclusive/Equitable Field.” Co-presentation with Suzanne Thorpe. (Re)Generation: The Arts and Technology Summit. At the Ammerman Center for Art and Technology, Connecticut College, New London CT: February 8, 2020.
“Logics and Rhetorics of Modular Interfaces in Electronic Sound.” Presented at Sonic Fluidities. University of California San Diego, San Diego, CA: March 2, 2018.
“Integrating Circuits: Histories of Racialized Labor in Electronics Manufacturing.” Presented at Sonic Cyberfeminisms. University of Lincoln. Lincoln, UK: May 6, 2017.
“Synthesis Contextualized.” Presented at the Dartmouth Audiovisual Synthesis annual workshop. Hanover, NH: October 21-23, 2016.
“Logics and Rhetorics of Modular Interfaces in Electronic Sound.” Presented at the Society for Cinema and Media Studies[SCMS] annual conference. Atlanta, GA: March 31, 2016.
“Aurality, Virtuality, and the Feminization of Technology in Her.” Presented at the Society for Cinema and Media Studies [SCMS] annual conference. Montreal, CA: March 25, 2015.
“Emulating the ARP2500.” Presented at Idiopreneurial Entrephonics. Wesleyan University, Middletown, CT: February 21, 2015.
“The History & Future of the ARP 2500.” Presented at the Society for Electro-Acoustic Music in the United States annual conference. Wesleyan University, Middletown, CT: March 28, 2014
TALKS / PANELS
Panelist. ARP2500 50th Anniversary Symposium. Webinar: September 26, 2020.
Panelist. “Creating New Imaginaries: Artists and Critical Resistance to Structural Inequalities.” MLK Day. Bates College, Lewiston ME: January 21, 2020.
Panelist. “Miscellaneous Electronic Bits.” Crafting Sound Symposium. In the Technology in Music and Related Arts Department. Oberlin College & Conservatory, Oberlin OH: October 5, 2019.
Guest Critic. Open Media, taught by Sheri Wills. In the Department of Film, Animation, and Video. Rhode Island School of Design, Providence RI: May 5, 2019.
Artist Talk: “Materials of Time.” In the Department of Performing Arts Technology. University of Michigan, Ann Arbor, MI: April 19, 2019.
Artist Talk: “Theory/Practice, Art/Research.” In Introduction to Media Studies, taught by Hannah Goodwin in the Department of Film Studies. Mt. Holyoke College, Holyoke, MA: November 26, 2018.
“Interfacing with Sound.” in Electronic Music Histories, taught by Will Mason in the Department of Music. Wheaton College, Wheaton, MA: November 13, 2018.
“Working with Feedback.” Presented in Sound Art, taught by Nadav Assor in the Department of Visual Art. Connecticut College, New London, CT: October 2017.
Artist Talk. Presented for Modern Music Guild series. Oberlin College, Oberlin OH: March 28, 2017.
Artist Talk. Presented at ArtScience Converged series. Le Laboratoire, Cambridge, MA: February 6, 2017.
“Sound-Art and Glass: Histories and Techniques.” Presented in Glass Studio II, taught by Jocelyne Prince in the Department of Glass. Rhode Island School of Design Providence RI: November 15, 2016.
“Logics and Rhetorics of Modularity in Electronic Sound.” Presented in TIMARA Department, Oberlin College and Conservatory, Oberlin OH: September 24, 2016.
“Experimental Audiovisual Composition.” Presented in History of New Media, taught by Chris Brunett in the Department of Visual Art. University of Toledo, Toledo, OH: September 22, 2015.
AUDIO & VIDEO RELEASES
2020 Waiting is a Place - format: digital
2018 100% Synthetic - format: DVD Compilation | Label: Estuary Ltd.
2016 Callus / Redux - format: digital | Label: Pan Y Rosas Discos
2015 OPENSIGNAL 2015 Compilation - format: CD | Label: group release
2014 Moments of Pleasure [Kate Bush Tribute] - format: cassette | Label: Wicked City
2014 SOTO | Park + Tamirisa - format: cassette / digital | Label: Private Chronology
2014 OPENSIGNAL Compilation - format: vinyl | Label: group release
2014 & The ARP2500 - format: digital | Label: self-released